La nature est un temple où de vivants piliers
Laissent parfois sortir de confuses paroles
L’homme y passe à travers des forêts de symboles
Qui l’observent avec des regards familiers.
Comme de longs échos qui de loin se confondent
Dans une ténébreuse et profonde unité,
Vaste comme une nuit et comme la clarté,
Les parfums, les couleurs et les sons se répondent.
Il est des parfums frais comme de chairs d’enfants,
Doux comme les hautbois, verts comme les prairies,
—Et d’autres, corrompus, riches et triomphants,
Ayant l’expansion des choses infinies,
Comme l’ambre, le musc, le benjoin et l’encens,
Qui chantent les transports de l’esprit et des sens.
Charles Baudelaire, Les Fleurs du Mal

I’m a rabbit in your headlights
Scared of the spotlight
You don’t come to visit
I’m stuck on this bed
Thin rubber gloves
She laughs when she’s crying
She cries when she’s laughing
Fat bloody fingers are sucking your soul away
I’m a rabbit in your headlights
Christian suburbanite
Washed down the toilet
Money to burn
Fat bloody fingers are sucking your soul away
If you’re frightened of dying and then you hold on
You’ll see devils tearing your life away
But, if you’ve made your peace
Then the devils are really angels
Freeing you from the Earth… from the Earth
White worms on the underground
Caught between stations
Butter fingers
I’m losing my patience
I’m a rabbit in your headlights
Christian suburbanite
You got money to burn
Fat bloody fingers are sucking your soul away… away… away…
Radiohead, UNKLE & DJ Shadow on YouTube.
“His appearance gives no clue to what his profession might be, and yet he doesn’t look like a man without a profession either. Consider what he’s like: He always knows what to do. He knows how to gaze into a woman’s eyes. He can put his mind to any question at any time. He can box. He is gifted, strong-willed, open-minded, fearless, tenacious, dashing, circumspect—why quibble, suppose we grant him all those qualities—yet he has none of them! They have made him what he is, they have set his course for him, and yet they don’t belong to him. When he is angry, something in him laughs. When he is sad, he is up to something. When something moves him, he turns against it. He’ll always see a good side to every bad action. What he thinks of anything will always depend on some possible context—nothing is, to him, what it is: everything is subject to change, in flux, part of a whole, of an infinite number of wholes presumably adding up to a super-whole that, however, he knows nothing about. So every answer he gives is only a partial answer, every feeling an opinion, and he never cares what something is, only ‘how’ it is—someextraneous seasoning that somehow goes along with it, that’s what interests him.”
